Eight tracks, four voices each
Each track has its own sequence, length, sample, level, pan, mute, solo and DIRT setting.
project 01 / release candidate
An eight-track, 12-bit sampler and sequencer that turns the computer keyboard into a groovebox.
what works today
Each track has its own sequence, length, sample, level, pan, mute, solo and DIRT setting.
Independent lengths run against one clock, so patterns can be straightforward or polymetric.
Choose from a shared 256-sample pool, set a track default and override it wherever the pattern needs it.
Pitch, start, end, level, pan and DIRT can all be locked to individual steps.
Tracks, pages, steps, parameter locks, mute and solo are designed to stay under your fingers.
Self-contained .lq12 projects include their samples, with undo, redo, autosave, crash recovery and WAV export.
nearly ready
The app is basically where I wanted it for the first beta. I’m doing one last listening pass on DIRT before I sign the build and let a small group of musicians loose on it.
samples
Each track still has its main sound, but any step can now borrow something else from the 256-sample pool. It makes a simple pattern much less predictable without turning the sequencer into a spreadsheet.
patterns
Tracks can run anywhere from one to 64 steps, each with its own length. I also added per-step changes for pitch, start, end, level, pan and DIRT, which is where the groovebox starts to feel alive.
tracks
This was the point where lq-12 stopped feeling like a sampler demo. Eight tracks now share the keyboard, and whichever one you choose brings its sound and controls straight to the front.
lq-12 private beta
I’m looking for musicians willing to use lq-12 as an instrument and tell me where the flow gets in their way.